the two drawings on the left are pages from a newsprint sketchpad that i used to create quick abstracted drawings of nature to try and render elemental forms. the drawing on the right is a jab at the absurdity of using a limited system of limited mediums to relate and analyze a boundless plane of existence. by writing "compressed charcoal" on the page the veil of the illusionary or representational nature of art is lifted so that the viewer can plainly see that such work is simply something on something masquerading as something else.
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